Літературно-художній антропонімікон повісті Юрія Станинця " Червона йонатаночка"

Abstract

У статті розглянуто природу, стилістичні функції літературно-художніх антропонімів та їх значення для створення національно-регіонального колориту. Предметом лінгвістичного аналізу стали власні назви у творах закарпатського письменника Ю. Станинця. Митець сформував антропонімійний простір своїх творів як складову частину українського антропонімікону, зберігаючи при цьому типові діалектні ознаки.

The article deals with the nature and stylistic functions of literary fiction anthroponyms as well as their role in the creation of national religious identity. In fiction texts proper names acquire numerous connotations, they do not merely identify but also diversify the artistic concept, becoming the aesthetic sign of national culture. The object of our research are proper names in the works of Transcarpathian writer Yuriy Stanynets – a very protean figure in the cultural history of Transcarpathian region as well as in the history of Ukraine in general, whose artistic heritage enjoys its renaissance after the lasting period of reticence. The author reproduces everyday routine and spiritual life of Transcarpathian village of 1930 – 1940s, represents diverse regional variants of personal names. Literary fictional onym space of Yuriy Stanynets’ works is a significant stage in the development of Ukrainian literary fictional anthroponomy as well as in the establishment of literary Ukrainian language norms in Transcarpathian region. The artist has formed the anthroponomical space of his works as the key element of Ukrainian anthroponomicon, having preserved the dialectical features. In the short story «Chervona Jonatanochka» the writer presents versatile as to their structure and stylistic functions literary fiction anthroponyms, the most typical of them being the emotional expressive names and two- component constructions such as «name + patronymic name», «name + last name». Official and dialectical proper names of Transcarpathian Ukrainians have become the main source of literary fictional anthroponyms creation. The linguistic analysis of dialectical variants of proper names in the short story «Chervona Jonatanochka» demonstrates their characteristic potential, ethical and aesthetic significance.